4 and 20, elucidation
mental note:
birds are resting, watching
on wires all over this city
a race is on
a race we must
fearlessly run
our place is given
we wait ready
for the signal
we will charge until
the handoff is received by
a new generation of runners
life. this is the glory:
that we may bear
and pass a baton
Shakespeare (in his day)
took up one of his own
gleaned from the cries of
tavern dwellers requesting song
he wove their language
to make his tale palpable,
relevant, then passed his wand
to those who would reach:
Act II, Scene III
Twelfth Night
“Come on, there is sixpence
for you; let’s have a song.”
Beaumont and Fletcher
were willing, weaving his wit
within, then handing the lot
into the willing arms of humanity
who would take it and run:
Act V, Scene II
Bonduca
“Whoa, here’s a stir now!
Sing a song of sixpence!”
Hence,
sing a Song of Sixpence,
A pocket full of Rye,
Four and twenty
Blackbirds,
Bak'd in a Pye.
When the pie was opened,
The birds began to sing;
Was not that a dainty dish,
To set before the king?
The king was in his counting-house,
Counting out his money;
The queen was in the parlor,
Eating bread and honey.
The maid was in the garden,
Hanging out the clothes,
There came a little blackbird,
And snapped off her nose.
on wonderment:
medieval illusion
an offering from the host,
set live birds waiting inside
a pre-cooked crust willing to
fly free with the first cut
on time:
if the king is sun
if the queen is moon
24 blackbirds will
echo the hours
in our days
calling us to use
time wisely
for the hours, they fly
on genealogy:
what if, for our time,
blackbirds are community
connected by the transitory
shell of a pie, connecting
briefly, preparing to fly
on education:
blackbirds, blackbirds
nestled in a pie
flap birds, flap!
seek the giver of good rye
huddled in bleak shelter
dreams will surely die
flutter clumsy wings
toward the wide blue sky!
tethers disappear
soaring with the wind on high
willing-winged, reach beyond
four and twenty fly
“A song of sixpence?”
Now there’s a stir.
birds are resting, watching
on wires all over this city
a race is on
a race we must
fearlessly run
our place is given
we wait ready
for the signal
we will charge until
the handoff is received by
a new generation of runners
life. this is the glory:
that we may bear
and pass a baton
Shakespeare (in his day)
took up one of his own
gleaned from the cries of
tavern dwellers requesting song
he wove their language
to make his tale palpable,
relevant, then passed his wand
to those who would reach:
Act II, Scene III
Twelfth Night
“Come on, there is sixpence
for you; let’s have a song.”
Beaumont and Fletcher
were willing, weaving his wit
within, then handing the lot
into the willing arms of humanity
who would take it and run:
Act V, Scene II
Bonduca
“Whoa, here’s a stir now!
Sing a song of sixpence!”
Hence,
sing a Song of Sixpence,
A pocket full of Rye,
Four and twenty
Blackbirds,
Bak'd in a Pye.
When the pie was opened,
The birds began to sing;
Was not that a dainty dish,
To set before the king?
The king was in his counting-house,
Counting out his money;
The queen was in the parlor,
Eating bread and honey.
The maid was in the garden,
Hanging out the clothes,
There came a little blackbird,
And snapped off her nose.
on wonderment:
medieval illusion
an offering from the host,
set live birds waiting inside
a pre-cooked crust willing to
fly free with the first cut
on time:
if the king is sun
if the queen is moon
24 blackbirds will
echo the hours
in our days
calling us to use
time wisely
for the hours, they fly
on genealogy:
what if, for our time,
blackbirds are community
connected by the transitory
shell of a pie, connecting
briefly, preparing to fly
on education:
blackbirds, blackbirds
nestled in a pie
flap birds, flap!
seek the giver of good rye
huddled in bleak shelter
dreams will surely die
flutter clumsy wings
toward the wide blue sky!
tethers disappear
soaring with the wind on high
willing-winged, reach beyond
four and twenty fly
“A song of sixpence?”
Now there’s a stir.

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